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Art in blue: Werner Ruhnau & Yves Klein

Werner Ruhnau (1922-2015) met Yves Klein in 1957 in a gallery in Paris. The discussions at this meeting are said to have led to have, that the German architect asking the French artist to accompany the artistic design of the theater building in Gelsenkirchen, which was currently under construction. This was for Klein's only public commission and he created four monumental reliefs for the project for . These represented the sky in the building, so to speak and are to be seen in connection with the architect's idea of 'air-conditioned architecture'.

Yves Klein's artistic legacy

International Klein Blue (IKB) is a pure ultramarine color. The use of this color for monochrome works is probably one of the best-known recognition features of works of art by the artist Yves Klein (1928 - 1962). With the help of the chemical manufacturer Rhône Poulenc and and the pigment dealer Edouard Adam, Klein developed the color from synthetic ultramarine blue pigments and a polyvinyl acetate binder, which which in turn was registered under the name Rhodopas M or M60A.

Since 1947, the color blue has been a central component of the artist's life and and work. The then 19-year-old Yves Klein shared the world and the universe with two friends on. One receives the earth, the other the air and Yves Klein the sky. In his monochrome artworks, he wanted to provide the viewer with an immersive experience. So how for he wanted the sky to shine blue in the most beautiful moments, so his monochrome artworks were intended to give the viewer a feeling of primal freedom.

Art in the building: International Klein Blue or Gelsenkirchen Blue

Werner Ruhnau (1922-2015) met Yves Klein in 1957 in a gallery in Paris. The discussions at this meeting are said to have led to have, that the German architect asking the French artist to accompany the artistic design of the theater building in Gelsenkirchen, which was currently under construction. This was for Klein's only public commission and he created four monumental reliefs for the project for . These represented the sky in the building, so to speak and are to be seen in connection with the architect's idea of 'air-conditioned architecture'.

for For the reliefs in Gelsenkirchen, however, not the classic composition of IKB could be used, as it would have been susceptible to fire. According to Ruhnau, Gelsenkirchen therefore used the city's water, Caparol-Binder and a German ultramarine blue pigment. Ruhnau therefore also calls the blue developed there Gelsenkirchen Blue and boldly states: "Klein became famous with our Gelsenkirchen Blue and not with his IKB." Since 2006, the heirs of artist Yves Klein have regularly gone to court, without success. Since then, Ruhnau has also used the recipe developed in Gelsenkirchen for own monochrome works.

Werner Ruhnau

Werner Ruhnau was a German architect and artist . He is best known for his combination of architecture and art, exemplified by the theater building in Gelsenkirchen, in which, in addition to Yves Klein, artist Robert Adams, Paul Dierkes and Jean Tinguely were also involved. His main works also include the theater Münster (1956) and the headquarters of Herta KG in Herten (1972).

In memory of the collaboration with Yves Klein

In our upcoming Auction at Mai , we are offering the artwork 'Klimatisierung des Raumes', a wire frame with plaster and in the familiar shade of blue, mounted in a Plexiglas box. The object is signed on the back and numbered (256/700) and with the words 'In memory of the collaboration with Yves Klein in Gelsenkirchen 1957-1960'. This small work of art perfectly captures the ideas of the two artist on to bring the sky, freedom and and nature closer to people and even into their homes.

Werner Ruhnau on 25. Mai in our large hall auction

We are particularly pleased to be able to offer this magnificent object by Werner Ruhnau in our hall auction on 25 Mai .

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Free Estimate by our experts .
Your data provided here will be processed by us so that we can take care of your request can.
0208-3059081

Call us at gladly and to make an appointment in Mülheim, Essen or Meerbusch.

01520-4935835

Send us a message via WhatsApp, Telegram or Signal with pictures of your objects.

info@wettmann.com

Send us an e-mail with attached photos of your objects and your phone number.

Home visits

For larger collections or very valuable objects, we also offer an appraisal at your home.

Which lines of business can I enter?

Our focus is on the international sale of Modern Art & Ancient Art in all facets, Jewelry, Gemstones & Luxury Watches as well as high quality Antiques & Arts & Crafts.

Is an estimate free?

A verbal appraisal is generally free. In the course of a consignment our experts determine the current appraisal value and the limit price of your objects. Subsequently, we will inform you about sales opportunities & possibilities.

What are the costs?

the Seller's commission is success-based and varies depending on object, division and Value of goods between 8% and 20% of hammer price plus VAT (9,28% - 23,2% incl. VAT) As a special feature we do not charge any catalog or illustration costs.

What happens to unsold properties?

for unsold Objects do not incur any costs. This can reduced a be offered another time in a Auction or our store.

Is it a minimum price for my objects?

For each object we set a limit price. Below this price we are not allowed to sell your object without your consent.

Are my objects insured?

Your goods are insured with us against fire, water, theft or other damage from the time of takeover at the limit price.

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